“Skills can be taught. Character you either have or you don’t have.”
“Skills can be taught. Character you either have or you don’t have.”
“Skills can be taught. Character you either have or you don’t have.”
“Skills can be taught. Character you either have or you don’t have.”
a word for the day
/ SON-der / · noun · from coined, 21st c.
the realization that each random passerby is living a life as vivid and complex as your own, populated with their own ambitions, friends, and ordinary anxieties.
Reading this one now, and Chernow does the thing he always does: takes a name you think you already understand and rebuilds the whole person from the ground up. Rockefeller as this bundle of contradictions, ruthless and devout, secretive and generous, is far stranger and more human than the robber-baron cartoon. It is a brick of a book and I am taking my time. Full verdict once I close it.
Five stars, and genuinely one of the more useful things I read this year. It is Stanford design thinking pointed at your own life, and the core move is treating your path as a series of small experiments instead of one high-stakes bet you have to get right. That reframe pushed me out of my comfort zone in the best way: reaching out to professors, VCs, founders and tech leaders, asking for the conversation, prototyping a version of the life before committing to it. What it really gave me was permission to think about what matters professionally and personally at the same time, and to design for the point where the two intersect in a balanced way rather than forcing a trade. Self-help usually loses me by chapter two. This one I actually did the exercises for, and I am better for it.
Five stars, no notes. I came out of the 2026 World Cup with this brand new, slightly embarrassing hunger for club football and nowhere to point it. This book is what closed the deal. I had flirted with Dortmund back when I lived in Germany, more aesthetic crush than real allegiance, and Hesse walks you through exactly why the Yellow Wall gets under your skin: the fan ownership, the Sudtribune, the stubborn working-class identity no amount of money has managed to buy. By the last chapter I was not reading about a club anymore, I was supporting one. Now I actually check the Bundesliga table on Saturday mornings. Heja BvB!
I went down a full Lorne rabbit hole this year and paired this with the documentary, which was maybe too much Lorne, but no regrets. Morrison’s reporting is unreal: every backstage myth you have heard plus a hundred you have not. It is long and earns most of that length. The thing that stuck with me is the central contradiction of the guy, a total control freak running the most chaotic live show on TV for fifty years. If you love SNL, this is the bible.
Yes I am a grown man who reads the Avatar tie-in novels, and yes I had a great time. Roku and Sozin starting as best friends and curdling into the original tragedy of that whole world is exactly the lore I wanted filled in. Ribay gives it real weight instead of phoning in a cash grab. Easy comfort read for anyone still not over that show.
Five stars, this one got me. Givhan nails why Abloh mattered: he kicked the doors of luxury wide open for a generation that looks like me and my friends instead of the old Paris guard. The more I sit with it the more convinced I am that he was becoming our Ralph Lauren, a designer whose whole language just IS America now (look at his fingerprints on the USMNT designs and how every brand still runs his playbook). The gut punch is how early we lost him, gone at 41 right as he was hitting another gear. Read it, then go look at everything he touched.
This is the book I keep pushing on people who are either panicking about AI or pretending it is a fad. As someone who lives in these tools all day, Mollick’s take is refreshingly practical: quit philosophizing and just invite the AI to the table to see where it actually helps. His “treat it like a person but remember it is not” framing finally gave me words for how I already work. Short, sharp, and it has aged way better than most tech books.
Not sure Tony himself would have liked it, but I saw a lot of myself in young Bourdain here: striving, reaching, carrying an ambition that at the time outran his grasp, and yet already holding this unconquerable center, a way of seeing and tasting the world that you can feel maturing scene by scene into the Bourdain we would come to know. What I respected most is the restraint. Given the source material and how fiercely people like me feel about the man, it would have been so easy to overreach or myth-make, and it never does. A beautifully shot film. And after this and The Holdovers I am fully on the Dominic Sessa train. Five stars.
One of the most beautifully animated films I have ever seen, full stop. I think even Hayao Miyazaki would be impressed. After so long away, it is just lovely to follow these characters again, and the film keeps swimming in and out of the pure joy of simply existing in that world. Five stars honestly is not enough. If anything I wanted it longer, and I wish it had gotten a real theatrical run instead of going straight to streaming. Long live the Avatar!
Best thing Pixar has put out in a long while, no contest for me. Makes total sense once you clock that it comes from the We Bare Bears crew, it has that same warm, weird, genuinely funny energy most big animated movies are missing right now. Gorgeous to look at and it actually has a heart under the jokes. Loved it.
I watched this the same week I was halfway through the Morrison book, so I basically gave myself a Lorne Michaels semester and regret nothing. Neville (the “Won’t You Be My Neighbor?” guy) knows how to make you feel the full weight of a person without turning it into a puff piece. Seeing the actual tape and the people who lived it lands different than reading about it. If you care even a little about how comedy gets built, watch this.
A lot of fun, full stop. It knows exactly what it is, an excuse to put every Nintendo deep cut on screen and go fully psychedelic with the Galaxy setting, and I grinned the whole way through. Not deep, does not try to be, total blast.
The first one runs on that scrappy striver energy, a nobody clawing her way in, and the sequel just does not have it. Everybody is already established, so the underdog spark that made the original fun is gone. Nice to see the cast back, but it did not need to exist.
Let down by this one. I love the Weir premise on paper, but it ran way too long and never settled on what it wanted to be about, tonally jumping all over the place scene to scene. By the back half I had checked out. Wanted to love it and just did not.
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